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电影1:运动-影像

【英语】 电影1:运动-影像 2012-06-27

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书名: Cinema 1: Movement-Image
作者: Gilles Deleuze (Author), Hugh Tomlinson (Translator), Barbara Habberjam (Translator)
出版社: Univ Of Minnesota Press; 1 edition (October 1, 1986)
语言: English
ISBN-10: 0816614008
ISBN-13: 978-0816614004

Book Description
First published in France in 1983, this is at once a revolutionary work in philosophy and a book about cinema. For Deleuze, philosophy cannot be a reflection of something else; philosophical concepts are, rather, the images of thought, to be understood on their own terms. Here he puts this view of philosophy to work in understanding the concepts—or images—of film.

Cinema, to Deleuze, is not a language that requires probing and interpretation, a search for hidden meanings; it can be understood directly, as a composition of images and signs, pre-verbal in nature. Thus he offers a powerful alternative to the psychoanalytic and semiological approaches that have dominated film studies.

Drawing upon Henri Bergson’s thesis on perception and C. S. Peirce’s classification of images and signs, Deleuze is able to put forth a new theory and taxonomy of the image, which he then applies to concrete examples from the work of a diverse group of filmmakers—Griffith, Eisenstein, Pasolini, Rohmer, Bresson, Dreyer, Stroheim, Buñuel, and many others. Because he finds movement to be the primary characteristic of cinema in the first half of the twentieth century, he devotes this first volume to that aspect of film. In the years since World War II, time has come to dominate film; that shift, and the signs and images associated with it, are addressed in Cinema 2: The Time-Image.

Review
"The appearance of Cinema 1 is an exciting event for film study and one that well deserves serious attention and commentary." -- Film Quarterly

About the Author
Gilles Deleuze (1925-1995) was professor of philosophy at the University of Paris, Vincennes-St. Denis. With Félix Guattari, he coauthored Anti-Oedipus, A Thousand Plateaus, and Kafka. He was also the author of The Fold, Cinema 2, Foucault, Kant’s Critical Philosophy, and Essays Critical and Clinical. All of these books are published in English by the University of Minnesota Press.

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