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音乐表现、主体和客体:扎里诺、笛卡尔、拉莫和韦伯的音乐思想的建构

【英语】 音乐表现、主体和客体:扎里诺、笛卡尔、拉莫和韦伯的音乐思想的建构 2008-06-11

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书名: Musical Representations, Subjects, and Objects: The Construction Of Musical Thought In Zarlino, Descartes, Rameau, And Weber (Musical Meaning and Interpretation)
作者: Jairo Moreno (Author)
出版社: Indiana University Press (December 15, 2004)
语言: English
ISBN-10: 0253344573
ISBN-13: 978-0253344571

Book Description
A provocative application of Foucault's ideas to music theory.

Review
"Jairo Moreno adapts the methodologies and nomenclature of Foucault's 'archaeology of knowledge' and applies it through individual case studies to the theoretical writings of Zarlino, Descartes, Rameau, and Weber. His conclusion summarizes the conditions—musical, philosophical, and historical—that 'make a certain form of thought about music necessary and possible at the time it emerges.'" -- Musical Meaning and Interpretation, Robert S. Hatten, editor

About the Author
Jairo Moreno is Associate Professor of Music Theory at Duke University. His research and publications focus on the history and philosophy of music theory.

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