书名: On Futurity: Malabou, Nancy and Derrida (Renewing Philosophy)
作者: Jean-Paul Martinon (Author)
出版社: Palgrave Macmillan (July 10, 2007)
语言: English
ISBN-10: 0230506844
ISBN-13: 978-0230506848
Book Description
This book explores the ways deconstruction addresses the issue of futurity (what Jacques Derrida calls the "to-come," [l'à-venir]). In order to achieve this, it focuses on three French expressions, venue, survenue, and voir-venir, each taken from the work of Jacques Derrida, Jean-Luc Nancy, and Catherine Malabou. The idea behind this focus is to elude the issue of the one and only "to-come," as if this was a uniform and coherent entity or structure of experience, and to put forward instead the possibility of a multiplicity of structures, each with a different intonation or pitch. Overall, this book makes an original contribution to the way deconstruction addresses the issue of futurity in the act of writing and translation.
About the Author
JEAN-PAUL MARTINON is a lecturer in the Department of Visual Cultures at Goldsmiths College, London, UK. He was the co-founder and curator of Rear Window (1991-1998) an independent arts trust that staged a series of exhibitions and conferences in temporary sites across London. He has published numerous essays in exhibition catalogues and academic journals on museum theory and contemporary French deconstruction.
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作者: Jean-Paul Martinon (Author)
出版社: Palgrave Macmillan (July 10, 2007)
语言: English
ISBN-10: 0230506844
ISBN-13: 978-0230506848
Book Description
This book explores the ways deconstruction addresses the issue of futurity (what Jacques Derrida calls the "to-come," [l'à-venir]). In order to achieve this, it focuses on three French expressions, venue, survenue, and voir-venir, each taken from the work of Jacques Derrida, Jean-Luc Nancy, and Catherine Malabou. The idea behind this focus is to elude the issue of the one and only "to-come," as if this was a uniform and coherent entity or structure of experience, and to put forward instead the possibility of a multiplicity of structures, each with a different intonation or pitch. Overall, this book makes an original contribution to the way deconstruction addresses the issue of futurity in the act of writing and translation.
About the Author
JEAN-PAUL MARTINON is a lecturer in the Department of Visual Cultures at Goldsmiths College, London, UK. He was the co-founder and curator of Rear Window (1991-1998) an independent arts trust that staged a series of exhibitions and conferences in temporary sites across London. He has published numerous essays in exhibition catalogues and academic journals on museum theory and contemporary French deconstruction.
[thread=15394]论坛相关讨论主题[/thread]
